CONS

• Initial raw conversion is slightly more detailed in some competing products
• Requires subscription

Photo Adjustment

In the Develop mode, sliders for adjustments like Exposure, Contrast, and Blacks all sit right in the middle of their tracks at zero, letting you slide them up and down. Having everything set to a 0 baseline and slider motion up to 100 and down to -100 makes good sense.

It’s possible to adjust multiple photos at once, by selecting them on the filmstrip along the bottom and tapping the Auto Sync button. You can be very specific about which adjustments you want to synchronize. The button always shows when auto-syncing is enabled. A tooltip now displays the number of images the develop settings will be applied to.

Adobe Photoshop Lightroom Classic Crack claims that the Auto Settings button, tucked next to the Tone group of controls, has been sped up, but it’s still far from instant. There’s also an Auto button in Library mode’s Quick Develop panel that does the same thing. I’m seldom thrilled with its results, though it is effective on photos with very poor lighting. I find that it often results in overly bright, contrast-y images.

The program’s shadow and highlight recovery tools let you bring out a dark face without blowing out the bright sky in an image, for example. You can also do this with an adjustment brush, but the effect is more natural when applied with Lightroom Classic’s Highlights and Shadows sliders.

Most photo apps these days, however, include shadow adjustment, even the free Microsoft Photos and Apple Photos. A basic behavior of all the lighting sliders is that moving them to the left always darkens the image, to the right brightens. Other programs have less consistent controls.

In addition to the sliders, Adobe Photoshop Lightroom Classic Crack offers a Photoshop-like Tone Curve adjustment tool that was updated in the latest release. You can not only drag sections of the curve up and down to brighten and darken the original values, but also use a control directly on the photo to brighten and darken areas with the same brightness value.

You can switch between parametric and point curves. The first option simply divides your image into four ranges—highlights, lights, darks, and shadows—to which the curve edits limit you. The old-school point curve option lets you specify an exact luminosity value and adjust that. Now you can even pin a control point and adjust its value numerically.

Area-specific adjustments are possible with Lightroom Classic’s Adjustment Brush tool. The Adjustment Brush lets you apply white balance, noise reduction, and moiré removal to specific areas of an image. You can also use the Hue slider with local adjustments. It can be very useful for images in which you want different hues for different parts of the photo, such as a face that looks too red.

The relatively new Texture slider lets you either soften or increase details in a photo. Notice I didn’t say “sharpen,” since the Texture tool is designed to avoid the severe edges that sharpening usually adds. You can use Texture as either a global or local adjustment. You can also use it to smooth faces without giving them an artificial, doll-like look.

The tool affects the medium-size details rather than the fine, tiny details that Sharpen affects. In the image below, increasing the Texture slider adds detail, but doesn’t affect noise in the sky the way Sharpen does:

Next up is the opposite case, where you want smoothing. Here, Texture is set to -38 on the right side. For me, it’s still a bit too powdery, but I like how it preserved the whiskers:

Mask Selections

For its October update, Adobe Photoshop Lightroom Classic  Crack added a new Masking panel in Develop mode, with a dotted-circle icon. It borrows heavily from Photoshop, offering Select Subject and Select Sky to the program’s Brush, Linear Gradient, Radial Gradient, Color Range, and Luminance Range selection tools, gathering them all into one panel.

The Subject Select tool did an excellent job finding not only people but animals and other objects, even with complex backgrounds. The example below is a simple sky background, but selecting the bird enabled me to jack up the shadows and exposure of the bird (which was nearly black in the original) without affecting the sky color. If a mask includes more or less than you want, you can add to or subtract from the selection.

The sky color in that shot is nothing to write home about, you say? I’m glad you mention it! We can use the new sky Select Sky tool and crank up the blue saturation. In the image below, the left side shows the picture I started with, and on the right is how it looked after fixing it with the new selection tools.

Note that Adobe Photoshop Lightroom Classic Crack doesn’t include Photoshop’s new sky replacement feature, which lets you plop in a completely different and often dazzling sky. After all, the program is more about photographic adjustment than about creative image construction.

Luminance (light value) and Color Range now appear as standalone choices in the new panel. They let you use a dropper, and even a rectangle to choose the color you want selected, which is great for cases where you have an area that needs juicing up, like the section of mountains below.

You can adjust the selection with a clever slider with a center piece that chooses the center of the luminance range and edges that let you restrict the range. You can also add or subtract to the selection using the selection tool of your choice, as you can see in the flyout panel next to the Mask panel.

Conclusion

Adobe Photoshop Lightroom Classic v13.1.0 Crack remains the gold standard in pro photo workflow software. It’s a complete package, with top-notch organization tools, state-of-the-art adjustments, and all the output and printing options you could want.